Gold medals.
St. Petersburg Mint, 1797.
Medalist V. Baranov (original by K. Leberecht)
Collection of Moscow Kremlin Museums.
At obverse there is a portrait of Paul I in a wig wearing a military uniform, with the cross of the Order of St. Anne on his neck and the ribbon of the Order of St. Andrew the First-Called over his right shoulder. The reverse side depicts a wide, equilateral Greek cross on a smooth background. At the end of the XVIII century Karl Leberecht became the main medalist of the Petersburg Mint. Carrying out the most important orders he strives for the utmost conciseness of compositions. The coronation medal of Paul I demonstrates just such an approach in medal art: the reverse side of the medal indicates a departure from the traditional solution - it does not contain any allegorical figures, no inscriptions expressing the main ideas and declarations of the new government, there is not even the date of the coronation. One gets the feeling that, in contrast to the coronation medals of previous eras, especially of his mother Catherine II, the enthroned Paul sparingly and ascetically through the image of the cross proclaims the arrival of a new ruler - the head of the Church, a monarch with a high religious mission.
St. Petersburg Mint, 1797.
Medalist V. Baranov (original by K. Leberecht)
Collection of Moscow Kremlin Museums.
At obverse there is a portrait of Paul I in a wig wearing a military uniform, with the cross of the Order of St. Anne on his neck and the ribbon of the Order of St. Andrew the First-Called over his right shoulder. The reverse side depicts a wide, equilateral Greek cross on a smooth background. At the end of the XVIII century Karl Leberecht became the main medalist of the Petersburg Mint. Carrying out the most important orders he strives for the utmost conciseness of compositions. The coronation medal of Paul I demonstrates just such an approach in medal art: the reverse side of the medal indicates a departure from the traditional solution - it does not contain any allegorical figures, no inscriptions expressing the main ideas and declarations of the new government, there is not even the date of the coronation. One gets the feeling that, in contrast to the coronation medals of previous eras, especially of his mother Catherine II, the enthroned Paul sparingly and ascetically through the image of the cross proclaims the arrival of a new ruler - the head of the Church, a monarch with a high religious mission.